This is some neat info...........
The SG has a thinner body than the Les Paul, and is much lighter as a result. However, owing to the body's light weight, the SG is infamous for being "neck heavy". The lighter, thinner, one layer body means the SG, unlike the Les Paul, is particularly applicable for harmonic feedback playing techniques. The SG's neck profile is typically shallower than that of the Les Paul, though this varies between production years and individual guitars. The SG also lacks the carved maple top and body binding of the Les Paul. Unlike the Les Paul's neck, which joins the body at the 16th fret, the SG's neck joins the body at the 19th fret, which allows easier access to higher frets. Despite the differences in body design, both models share similar electronics and controls. In terms of sound, the SG is often described as having more "bite" than a Les Paul, but lacking in low end.
The SG has a thinner body than the Les Paul, and is much lighter as a result. However, owing to the body's light weight, the SG is infamous for being "neck heavy". The lighter, thinner, one layer body means the SG, unlike the Les Paul, is particularly applicable for harmonic feedback playing techniques. The SG's neck profile is typically shallower than that of the Les Paul, though this varies between production years and individual guitars. The SG also lacks the carved maple top and body binding of the Les Paul. Unlike the Les Paul's neck, which joins the body at the 16th fret, the SG's neck joins the body at the 19th fret, which allows easier access to higher frets. Despite the differences in body design, both models share similar electronics and controls. In terms of sound, the SG is often described as having more "bite" than a Les Paul, but lacking in low end.
Do you do the fretwork yourself? My current go-to axe is a 2006 Ravenwest 6 string bass. Walnut/maple neck-through. I've since disable the preamp - I'd always forget to unplug the cord, thus went through a sh*tload of 9v battieries. I just boil my strings every now and then to brighten the sound back up. Has a beautiful sound in passive mode - crunchy and growly, or smooth like pudding and all in-between. I'm an Ampeg man, but lately I've been using a vintage Eden combo for smaller venues. Nice, clean BIG sound, and easy to transport.
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